Tag Archives: #suspense

A Fatal Crossing by Tom Hindle

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I love a locked room thriller, and the premise of this book, set on The Endeavour, an ocean-going liner sailing from Southampton to New York in the 1920s absolutely appealed to me. When an elderly gentleman is found dead at the bottom of the stairs leading from one deck to another, there’s pressure on ship’s officer Timothy Birch (an man with a Past) to declare it nothing more than a tragic accident.

Of course, it’s nothing of the kind and the irascible and frankly quite irritating Scotland Yard detective James Temple, who happens to be on board, insists on investigating further. The unwilling partnership forced upon Birch and Temple by the ship’s Captain makes for an entertaining read, interspersed with the mystery of a missing painting and further deadly events which unfold as the ship nears its destination.

Beautiful period detail, highly evocative descriptions of life on board and the intriguing relationship between our two sleuths kept me reading right to the end. 

Nobody But Us by Laure Van Rensburg

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Handsome college professor Steven Harding and naïve young student Ellie Masterson drive from New York to a remote cabin for their first holiday together. Expectations are high for a romantic weekend, but what unfolds over those few days will totally blow your mind. Neither of them are who they say they are, and the dark truths underlying their twisted relationship are gradually exposed. 

I literally could not put this book down, and found myself holding my breath at certain moments.  Ellie and Steven were both compelling characters and one of the things I loved most about Nobody But Us was the way in which I got to understand how they had come to this dark place and what motivated their actions. It was such a compelling read.  And the atmosphere and sense of danger was ratcheted up by the setting – an ostensibly beautiful cabin in the remote wilderness, surrounded by trees, in the deepest of snowy winters – it totally heightened the almost-cinematic sense of jeopardy throughout. 

Timely, thought-provoking, deeply atmospheric, full of suspense – this has got to be one of the best psychological thrillers I’ve read for a very long time indeed. 

The Lying Room by Nicci French

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I’ve long been a fan of Nicci French’s Frieda Klein series, one I go back to again and again, so I was really excited to read this stand-alone novel. I’m happy to report it absolutely did not disappoint. The heroine, Neve, is fascinatingly flawed and there were times when I wanted to shake her, but that’s a good thing, right? Means you’re totally ‘in’ the book, and that the characters and situation are both compelling and believable.

I won’t spoil the plot, with all its myriad twists and turns, but it begins when Neve, everyone’s best friend, discovers the body of a man she’s been seeing and decides to remove every trace that she’s ever been in his flat. Except that, this being a thriller, she’ll miss something crucial, which will come back and bite her at some inopportune moment. Well, she does, and it does, except that it’s early on and becomes a classic piece of misdirection. This book is like a masterclass on how to write a suspenseful thriller, because by the end of it you’ve changed your mind ten times about who the murderer really is and you’re still surprised how it turns out.

What Nicci French does so well is ratcheting up the tension with each new secret that’s revealed. There’s an incredible feeling of claustrophobia that grows throughout the novel until you can hardly breathe for wondering when the next blow will fall and whether Neve will survive it. I almost missed my stop on the tube at one point. And it makes a fantastic distraction from all the bilge that’s going on in the news at the moment. Definitely worth a read.

Now You See Them by Elly Griffith

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Elly Griffith is best known for her Ruth Galloway series, but I have a great fondness for her books about Max Mephisto (a famous magician – and also a movie star by the time this book opens) and Detective Inspector (now Superintendent) Edgar Stephens. Set in Brighton in the 1950s, the series opened with The Zig-Zag Girl, and her latest, Now You See Them, moves forward ten years or so to the time of mods and rockers.

Much has happened in between Now You See Them and the previous novel, to the point where you don’t necessarily have to be familiar with the earlier books in the series. It’s almost, but not quite, a reboot. One of Griffiths’ great strengths is her ability to write an ensemble cast of characters, so that you care about each and every one of them. Indeed, each face personal and life choices as well as becoming involved in the disappearance of three young women. It was great to see modern dilemmas, such as Emma (Edgar Stephens’ wife and a former detective herself) becoming dissatisfied with her role as a housewife, portrayed with sensitivity, whilst the mystery itself was absorbing enough to drive the story along.

The descriptions of Brighton are vivid, and the interweaving of historical details of the period work well. I’ve learned a lot about smugglers tunnels that I never knew, and I felt the story ended with a setup for a future spin-off that would work well. Her books are so cinematic in the way they’re written I find it extraordinary that none appear to have been optioned for broadcast.

Elly Griffith is one of those few authors I would pre-order books by in advance of publication, so it was a real treat to have been able to read an early copy via Netgalley in exchange for an unbiased review.

The Dead Ex, by Jane Corry

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Now, I’ve got to be honest here, I’d never heard of Jane Corry before her name came up on a twitter post announcing that two of her books were reduced to 99p on Kindle.  I was waiting for a couple of books I’d pre-ordered to be published and had been reduced to re-reading the Frieda Klein series by Nicci French (v.good) for about the fifth or sixth time. Did I mention I read all the time?

Anyway, I thought I’d give her a whirl, because you can’t go wrong for 99p, right? 

It was great! Very twisty-turny, and although I was certain there was a twist coming, I couldn’t work it out, and I LOVE that in a thriller. I also particularly liked the fact that one of the protagonists, Vicki, has epilepsy, which affects her memory and means she can’t be certain that she didn’t have something to do with her ex-husband’s disappearance – the man at the centre of the plot.  People in my family have epilepsy and I thought that Vicki’s experience was very well done – not overblown or overdramatised but giving great insight into what it’s like to live with the constant risk of seizures.

The plot was quite complex and for quite a way into the book it’s hard to work out the connections between the different protagonists, despite hints and foreshadowing. I think that’s one of the reasons I liked it, because as a reader I had to concentrate more on what was happening in the present and what ‘might’ have happened in the past, and how everyone was interconnected. I wasn’t entirely sure whether I liked some of the characters, but then again I suppose that makes them true to life, because who does like everyone they meet…

I didn’t realise this until I looked her up, but Jane Corry is in fact a Sunday Times bestselling author of a number of novels, and she has a new one out in about a week’s time, I Looked Away. Don’t you just love it when you find a new author and you have a whole heap of new books to read? Can’t wait.

The Mystery of Three Quarters, by Sophie Hannah

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Sophie Hannah is a writer I admire. I’ve enjoyed pretty much everything she’s written, starting with Little Face and, most recently, Did You See Melody. But it’s one thing to build your own world in fiction, to create your own characters, and quite another to breathe new life into someone else’s creation.  With Poirot and Agatha Christie, that’s a very tall order indeed.

As a teenager, I devoured all the Agatha Christie books I found in my grandmother’s house, loving the descriptions, the pace and the language.  As an adult, like everyone else, I have been absorbed by different TV adaptations, and believe David Suchet’s performance caught Poirot better than anyone. You know, when you read a book and then see it on screen, and the person on screen is exactly, completely, the person you had in your head.

How much harder and more daunting must it be, then, to be tasked with continuing the story of someone who is so familiar to us all? Now, I don’t know if Sophie Hannah binge-watched back to back Poirot before she sat down to write this latest Poirot adventure, but I tell you what, I could hear his voice in my head as I read it. Wonderfully done, she has captured the rhythm and cadence of Poirot’s speech and thought processes, whilst creating a suitably tangled plotline. Three books in, the relationship between the two key protagonists is rounded and well-realised, and it was a smart move on her part to create a new sidekick in the shape of Edward Catchpool rather than setting herself the additional hurdle of writing Inspector Japp and Captain Hastings into the story.

It’s not a bonkers grippy read, it has the same pace and slightly soothing quality of an original Christie, ideal for a quiet Sunday afternoon (which is when I read it), or a long train journey. More please.