I thought I’d start with this book, as I finished reading it over my lunch today. Not entirely sure its graphic imagery goes that well with a mug of chicken soup, but it was certainly gripping. It was one of those books you almost end up reading in spite of yourself, probably because I found the protagonist initially quite unlikeable.
Alison, a barrister, is unappetisingly drunk at the beginning of the novel and clearly obsessed with Patrick, an equally unpleasant character with whom she ends up having rough sex on her office desk. She’s married to a man who appears the epitome of patient husbandhood, with a daughter she clearly dotes on, and to start off with she makes a series of what read like wrong choices, driven by drink and overwork. Yet, like many of us, she wants to do the right thing most of the time and that really saved her for me as a character.
One of the things I particularly liked about Blood Orange was the clever way in which the writer built the suspense. There were places where I was certain Alison was being gaslighted by her husband, and others where I wanted to shake her for being so naive. I never understood what she saw in Patrick throughout the whole thing, but I loved the parallels between her life and that of one of her clients. Her sympathy for a victim of domestic violence threw up interesting questions that were only resolved right at the end.
Speaking of which, I did wonder whether the prologue was written as an afterthought to echo the ending, especially as it was written from a different point of view from the book itself. If so, I think it worked as a device, but having said that I kept wondering throughout about its relevance and where the scene described was going to pop up in the story. Or, was it written to give the book its title? Sorry to be so cynical. Either way, it worked for me.
I read this book quite quickly over the course of three days (train journeys, over coffee, and before I went to sleep), because I was gripped by the story as it unfolded. So, although I didn’t particularly like the protagonist, I did want to know what happened to her – even though sometimes I felt as though I would have been better reading it from behind the sofa, almost wincing as Alison’s life disintegrated. Some of the descriptions were very vivid, not just visual but sensory too. And her dawning realisation about what was really going on in her life was very well done.
Books like Blood Orange are great because they are very satisfying to read. There’s definitely a beginning, a middle and and end. The story is resolved in full and you can walk away from them not wondering what’s next for the characters. And for me, because I raced through it to get to the end, that means it’s a book I can go back to at some point and read all over again on the basis there’s bound to be things I missed. Would I buy another book by Harriet Tyce? Yes, I think I would. Good experience all round.